George Ripley, The compound of alchymy. Or the ancient hidden art of alchemie: conteining the right and perfectest meanes to make the philosophers stone Whereunto is adioyned his epistle to the king (London: Thomas Orwin, 1591) (Q951413): Difference between revisions
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Olaf Simons (talk | contribs) (Created claim: Field of knowledge (P608): Alchemy (Q102217)) |
Alina Lange (talk | contribs) (Created claim: Title page transcript (P5): The compound of alchymy. Or the ancient hidden art of alchemie: conteining the right and perfectest meanes to make the philosophers stone.... Divided into twelve gates.... Whereunto is adioyned his epistle to the king, his vision, his wheele, and other his workes.... Set foorth by Raph Rabbards., #quickstatements; #temporary_batch_1721724646964) |
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The compound of alchymy. Or the ancient hidden art of alchemie: conteining the right and perfectest meanes to make the philosophers stone.... Divided into twelve gates.... Whereunto is adioyned his epistle to the king, his vision, his wheele, and other his workes.... Set foorth by Raph Rabbards. | |||
Property / Title page transcript: The compound of alchymy. Or the ancient hidden art of alchemie: conteining the right and perfectest meanes to make the philosophers stone.... Divided into twelve gates.... Whereunto is adioyned his epistle to the king, his vision, his wheele, and other his workes.... Set foorth by Raph Rabbards. / rank | |||
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Latest revision as of 10:52, 23 July 2024
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Language | Label | Description | Also known as |
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English | George Ripley, The compound of alchymy. Or the ancient hidden art of alchemie: conteining the right and perfectest meanes to make the philosophers stone Whereunto is adioyned his epistle to the king (London: Thomas Orwin, 1591) |
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1591
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The compound of alchymy. Or the ancient hidden art of alchemie: conteining the right and perfectest meanes to make the philosophers stone.... Divided into twelve gates.... Whereunto is adioyned his epistle to the king, his vision, his wheele, and other his workes.... Set foorth by Raph Rabbards.
0 references