H.. M. [Mary Hearne], The Female Deserters. A Novel. By the Author of The Lover's Week (London: J. Roberts, 1719). (Q272553)

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Revision as of 16:47, 7 September 2021 by Olaf Simons (talk | contribs) (‎Created claim: <Digest in English> (P75): Continuation of The Lover's Week: or, The Six Days Adventures of Philander and Amaryllis (London: E. Curll/ R. Francklin, 1718). The situation of Philander and Amaryllis after their escape from London offers, however, only the frame in which p.7-106: Calista relates her escape with Torismond, a story in which p.29-74 the servant Isabella's story is included. The new histories offer new versions of an escape motivated by love. The conflicts and th...)
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H.. M. [Mary Hearne], The Female Deserters. A Novel. By the Author of The Lover's Week (London: J. Roberts, 1719).
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    Statements

    THE| Female DESERTERS.| A| NOVEL.| [rule]| By the AUTHOR of The| LOVER's WEEK.| [rule]| O happy State! when Souls each other draw,| When Love is Liberty, and Nature, Law:| All then is full, possessing, and possest,| No craving Void left asking in the Breast:| Ev'n Thought e'er from the Lips it| part,| And each warm Whish springs mutual from the Heart.| POPE.| [rule]| LONDON:| Printed for J. ROBERTS in Warwick-lane.| M DCC XIX. Price 1 s. 6 d.
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    1719
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    title page/ [4] pp. dedication: John Rawlinson Esq; Captain of his Majesty's Guards; signed: M[ary]. H[earne]/ [2] pp. 2 poems in praise of the preceding The Lover's Week: or, the Six Days Adventures of Philander and Amaryllis (London: E. Curll/ R. Francklin, 1718)/ p.[1]-109/ p.[110-12] books published by E. Curll [novels and diversion mostly directed to the female audience]/ 8°.
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    Continuation of The Lover's Week: or, The Six Days Adventures of Philander and Amaryllis (London: E. Curll/ R. Francklin, 1718). The situation of Philander and Amaryllis after their escape from London offers, however, only the frame in which p.7-106: Calista relates her escape with Torismond, a story in which p.29-74 the servant Isabella's story is included. The new histories offer new versions of an escape motivated by love. The conflicts and the intrigues are relatively conventional.
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